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Digital Cameras 
35 & Super 35 mm 
Super 16 mm
ARRI Alexa Mini
  • Sensor 16:9/4:3* 35 mm format ARRI ALEV III CMOS
  • Lightweight carbon housing
  • Weight 2.3 kg
  • ProRes 4K up to 200 fps
  • Uncompressed ARRIRAW up to 30 fps*
  • Exchangeable PL, B4 and EF lens mounts
  • In-camera recording to CFast 2-0 memory cards.
  • High dynamic range, true color, natural skin tones, …

 

*Soon available

ARRI Alexa XT
  • XR Module.
  • Developed with Codex.
  • 4:3 Super 35 sensor.
  • Film-like, organic look .
  • Smallest, lightest.
  • Fully loaded: includes anamorphic de-squeeze and high speed licenses.
  • Capture ARRIRAW up to 120 fps.
  • ProRes or DNxHD will be caught in the XR   unit.
  • Sharp, natural images for HD, 2K or 4K deliverables
ARRI Alexa Studio XT
  • XR Module.
  • Rotating Mirror Shutter.
  • 4:3 Super 35 Active Sensor Area.
  • Ideal for anamorphic shoots.
  • Natural skin tones.
  • Room for vertical repositioning of spherical images.
  • Fully loaded: includes anamorphic desqueeze and high speed licenses.
  • Wide exposure latitude of 14 stops.
  • Capture ARRIRAW up to 120 fps.
  • Sharp, natural images for HD, 2K or 4K deliverables.
  • EI 800 base sensitivity (EI 160 to EI 3200)
  • Rotating Mirror Shutter.
  • 4:3 Super 35 Active Sensor Area.
  • Ideal for anamorphic shoots.
  • Natural skin tones.
  • Room for vertical repositioning of spherical images.
  • Fully loaded: includes anamorphic desqueeze and high speed licenses.
  • Wide exposure latitude of 14 stops.
  • EI 800 base sensitivity (EI 160 to EI 3200) - Sharp, natural images for 2K and HD.
ARRI Alexa Studio
ARRI Alexa Plus 4/3
  • 4:3 Super 35 Active Sensor Area
  • Ideal for anamorphic shoots
  • Natural skin tones
  • Room for vertical repositioning of spherical images
  • Fully loaded: with anamorphic de-squeeze and high speed licenses
  • Wide exposure latitude of 14 stops.
  • EI 800 base sensitivity (EI 160 to EI 3200) - Sharp, natural images for 2K and HD
ARRI Alexa Plus
  • Organic look extended
  • Clean highlights
  • Extremely low noise floor
  • Natural skin tones
  • Excellent color separation
  • Cinematic depth of field
  • Wide exposure latitude of 14 stops
  • EI 800 base sensitivity (EI 160 to EI 3200)
  • Sharp, natural images for 2K and HD
  • Sensor 16:9 35 mm format ARRI ALEV III CMOS
  • Natural colors and skin tones
  • Weight 4,1 kg / 9,2 lbs
  • 3840 x 2160 ProRes 4K UHD
  • ProRes recording up to 422 on CFast 2.0 cards
  • Up to 100 fps – full sensor area
  • Internal ND filters (0.6/1.2/2.1)
  • Solid lens mounts (PL/B4 2/3”/EF)
ARRI Amira
  • Sensor 19 megapixel DRAGON™
  • Up to 6K resolution 6144 x 3160 pixels
  • 5K - 4K - 2K (windowing)
  • Improved dynamic range & colour rendering
  • Weight: 1.8 Kg. (4 lB.) - 500 gr less than regular Epic
  • Framerates : (82 fps at 6K / 119 fps at 4K / 295 fps at 2K WS)
  • Over 16.5+ stops native dinamic range, 18 Stops W/ HDRx™
  • Sensorsize  larger than Super 3
RED Epic Dragon Carbon Fiber
RED Epic Dragon Aluminium
  • Sensor 19 megapixel DRAGON™
  • Up to 6K resolution 6144 x 3160 pixels
  • 5K - 4K - 2K (windowing)
  • Improved dynamic range & colour rendering
  • Weight: 2.3 Kg. (5 lB.)
  • Framerates : (82 fps at 6K / 119 fps at 4K / 295 fps at 2K WS)
  • Over 16.5+ stops native dinamic range, 18 Stops W/ HDRx™
  • Sensorsize  larger than Super 3
RED Epic
  • Massive 30mm X 15mm Sensor (5120 x 2700 PIXELS)
  • 5K Resolution from 1 TO 120FPS (UP TO 300FPS @ 2K)
  • REDCODE® Allows 1080P TO 5K Recording on Redmag (SSD)
  • Over 13 stops native dinamic range, 18 Stops W/ HDRx™
RED One MX
  • 14 megapixel MYSTERIUM-X™
  • Improved compression (REDCODE 42)
  • No color sub-sampling, no line skipping, no pixel shifting, no up-resing
  • Capture of 4520 x 2540 pixels RAW, in both motion and still.
PHANTOM Flex H.S.
  • Shoot 5-1560 fps at 2560x1440
  • 1200 ISO
  • HQ Mode for ultimate image quality
  • Raw digital and/or video workflow solutions
  • 35 mm film - Brilliant viewfinders
  • High quality video assist
  • Electronically adjustable mirror shutte
ARRICAM Studio
  • Super 35
  • Dual pin registration
  • Brilliant viewfinders
  • High quality video assist
  • Electronically adjustable mirror shutter
  • In-Camera slate
  • Sharp, natural images for HD, 2K or 4K deliverables
ARRICAM lite
  • 18.0 Megapixel
  • 1920 x 1080 (Full HD): 30p (29.97) / 24p (23.976) / 25p
  • 1280 x 720 (HD): 60p (59.94) / 50p, 640 x 480 (SD): 60p (59.94) / 50p.
  • Intelligent Viewfinder with 100% field of view.
CANON 7D PL mount
ARRI 435 ES
  • Wide speed range of 0.1 to 150 fps
  • Precision dual pin registration movement
  • Brilliant viewfinders
  • Electronic mirror shutter
  • Hand crank option
ARRI 535 B
  • Robust and functional 35 format sync sound.
  • Bright and modular optical viewfinder system.
  • Mechanically adjustable shutter.
  • Digital frame rate selection and time code
  • Simple & elegant modern 35 format MOS camera.
  • Small, lightweight & affordable
  • Half the size, weight & price of the 435 Xtreme
ARRI 235
ARRI 416 HS
  • Higher frame rates for slow-motion cinematography
  • The 416 Plus HS is the most versatile and advanced Super 16 camera
  • Ideal choice for projects bound for either television or cinema screens.
  • 5-150 fps, shutter: 180°,172,8°,144°,135°,90°,45°
  • The Arriflex 16 SR3 camera is designed for either the normal 16mm or super 16mm film formats.
  • High quality video assist system enables the possibility of rough .OFF-line editing while on set.
ARRI 16 SR3 Standard HS